From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?" "What do you call the open, Mrs. Gereth?" Fleda demanded. Then as the other faltered: "Do you know where Mr. Owen is to-day?"!

"About the contents of the house. Aren't you looking after them for him?" She hesitated: she would only be impeccable even though she should have to be sententious. "You'll be happy if you're perfect!" she risked.

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Then he's as big a donkey as his mother! But you know you must account for their delay," Mrs. Gereth remarked. "Very well, then. Will you wait?"